Arts and culture news covering museums, exhibitions, performing arts, cultural events, and artistic developments worldwide.
Nigerian-born artist Njideka Akunyili-Crosby painted the official portraits of former US President Barack Obama and Michelle Obama for the Obama Presidential Centre in Chicago. Michelle Obama announced the portraits in a video on Monday, showing the trio walking through the library. The centre is set to open on June 19.
The commentary argues that the controversy over the Dancing Girl of Mohenjo-daro's nudity in Indian textbooks reflects a deeper fear of female autonomy and confidence. It contends that the ruling class is threatened by a woman's unapologetic self-possession, as exemplified by the ancient figurine's defiant gaze.
This commentary describes the author's experience of 'Fridamania' in Mexico City ahead of a Tate Modern exhibition. It argues that Frida Kahlo's life and art continue to inspire intense cultural fascination, blending personal narrative with observations on the commercialization and enduring impact of her legacy.
This commentary reflects on David Hockney's legacy in Los Angeles following his death, arguing that his vivid swimming pool paintings and embrace of SoCal light, hedonism, and gay liberation taught the city to see itself. It contends that Hockney's influence extends beyond museums into everyday life, shaping the city's cultural identity.
This commentary argues that Jordan is an ideal filming location due to its stunning sites, skilled crews, and supportive infrastructure like Olivewood Film Studios. It highlights the expertise of local crews who have worked on major international productions, and credits the Royal Film Commission for fostering a competitive film industry.
This commentary examines the complexities of cultural boycotts against Israel, using the cases of Sally Rooney and Nadav Lapid to question whether boycotters are targeting the right individuals. It argues that the movement's criteria for complicity are inconsistently applied, potentially undermining its effectiveness.
This commentary argues that Mary Harron's 1996 film 'I Shot Andy Warhol' remains relevant in 2026, exploring themes of fame, identity, grievance, and violence that resonate with contemporary culture. It highlights the film's nuanced portrayal of Valerie Solanas and its prescient engagement with debates about gender and identity.
This review of Tom Stoppard's play 'Leopoldstadt' argues that the work confronts difficult questions about Jewish identity and historical memory. The reviewer contends that the play's intimate Chicago premiere at Writers Theatre is a captivating production that meets the artistic moment, highlighting the cast and direction.
This commentary explores the evolution of Armenian banquet halls in Los Angeles, arguing that they have become vibrant cultural centers blending tradition with modern trends. It highlights how these venues preserve Armenian heritage while incorporating diverse culinary influences, attracting a broader audience and reflecting the community's resilience and hospitality.
This commentary reviews the abstract paintings of Angel Ricardo Ricardo Rios, arguing that viewers should first appreciate their visceral pleasures before seeking deeper meaning. The author contends that Rios' work reflects his ambivalent relationship with origin and identity, and that his rejection of the "artist" label allows his paintings to exist closer to lived truth.