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Christopher Nolan's 'The Odyssey' grossed $17.6 million from Thursday previews in North America, with an additional $22.2 million from international markets for a global total of nearly $40 million. The film earned $51 million on its opening Friday from 3,919 North American screens, and is projected to earn $117 million in its domestic opening weekend.
Brenda Fricker, the Oscar-winning Irish actress known for 'My Left Foot' and the Pigeon Lady in 'Home Alone 2,' died at age 81 in Dublin after a period of ill health. Her agent Phil Belfield confirmed her death, calling her a 'legend.' She was the first Irish actress to win an Oscar.
Christopher Nolan stated his next film will not be released for at least three years after The Odyssey, breaking his recent three-year cadence. He told the New York Times that studios need to take risks because audiences are 'looking for something new.' The Odyssey stars Matt Damon, Anne Hathaway, Lupita Nyong'o, Robert Pattinson, Tom Holland, Zendaya, and Charlize Theron.
Lena Headey criticized Hollywood for shielding predatory men and revealed backlash over using a body double for a Game of Thrones nude scene. She said the double let her focus on acting without being defensive. Headey also recounted Harvey Weinstein making suggestive comments and inviting her to his hotel.
The commentary argues that Michael Mann's 'Manhunter' is the greatest thriller of all time, despite being underappreciated. It contends that the new director's cut, 'Manhunter: The Final Cut,' is not an improvement but still showcases the film's enduring brilliance. The author reflects on his personal obsession with the film.
This commentary argues that Dwayne 'The Rock' Johnson is overrated as a box office draw, citing a string of recent film flops like 'Moana' and 'Red One' despite his status as Hollywood's highest-paid actor. The author contends that Johnson's popularity is a myth perpetuated by the industry, and his films consistently underperform financially.
This commentary argues that the online backlash against Christopher Nolan's film 'The Odyssey' has failed, as evidenced by sold-out screenings and strong reviews. It contends that the criticism, driven by right-wing figures like Elon Musk over casting and historical accuracy, has not affected the film's commercial success.
This commentary reports on academic reactions to Christopher Nolan's film adaptation of Homer's 'The Odyssey,' highlighting debates among scholars about its fidelity to the original epic. It argues that the film should be judged on its own terms as Nolan's interpretation, while noting its unprecedented cultural impact and revival of interest in classic literature.
This commentary argues that modern blockbusters are getting longer while young people struggle to maintain attention during films, highlighting an irony in film education. It suggests that bombastic action scenes can hold focus, but questions how long is too long, and offers alternatives for those unable to sit through lengthy movies.
This commentary argues that the frenzy over Christopher Nolan's 'The Odyssey' in Imax 70mm reveals both the enduring appeal of analog film and the fragility of its infrastructure. It contends that the scarcity of capable theaters and projectionists highlights a precarious renaissance, sustained by devoted technicians preserving the communal magic of film.